Much Music?
We are partnering with @TikTokCanada to bring back #MuchMusic
— MuchMusic (@Much) June 10, 2021
More info here: https://t.co/1dUXzpNzXh
As you may or may not know, a campaign was organized by former Much Music personality Ed The Sock (also known as Steven Kerzner) to resurrect a more independently driven Much Music under the name “New Music Nation“. And that this Indiegogo campaign was successful, surpassing its goal of $35,000 by May 1st.
The above tweet has nothing to do with this campaign.
It’s been eight years since music was pulled off the channel and quite frankly I don’t think I will like a channel featuring the heads of pretty people reacting to music videos, which I suspect this zombie of a channel will be.
As a big fan of the original network, I will give it a chance. But I have serious doubt that their key demographic, millennials on TikTok, will want to watch the variety of genres featured on the previous Much Music. And I suspect the new content will feature the aforementioned reaction shots or multiple TikTok personalities dancing to the same material, in practically the same way.
The channel described in today’s press release just doesn’t sound as appealing as it should and I don’t know how independent rock and metal from Canada would fit in that environment, in comparison with the New Music Nation (which is set to debut on Canada Day).
I guess all we need to do is wait and see what they do with their revived programs. But i’m skeptical in regards to the remaining content, the snippets of TikTok simply not being my cup of tea.
Ed The Sock Returns With New Channel
My Indiegogo for NewMusicNation is live! Help me launch the spiritual successor to Muchmusic, updated with a focus on independent music & artists! Here's the link: https://t.co/8s3xpR7rgp RT RT RT! pic.twitter.com/zGYCz7b9mI
— Ed the Sock (@EdtheSock) April 1, 2021
Here We Go Again?
Like most music fans in Canada that grew up in the 80’s I watched Much Music and it’s francophone sister station Musique Plus.
I spent hours watching music videos and live performance by my favourite artists, in both of Canada’s official languages, whilst being introduced to both past classics and new artists from around the world. And have since then collected quite a few video compilations on VHS and then DVD, fortunately.
I of course used the word fortunately because in the early 2000’s “reality” programs had begun invading music television in the states and Canada. And although I enjoyed The Osbournes and Gene Simmons Family Jewels, other non-music related “reality” programs crept into the schedule and eventually pushed everything else off the air, including my favourite music video based programs.
When music videos were made rare on these channels by 2010 I was quite happy to have collected and upgraded a large portion of my favourites on DVD, because I could view them at any time regardless of the loss of music television. But it appears that history may be repeating itself, this time with Youtube.
After I had joined Youtube in March 2006, I watched the videos I wanted to see and was introduced to new videos based on their likes and views, later subscribing to the channels that I liked.
I chose most of what I wanted to see via my subscriptions and liked most of what was recommended to me. But unfortunately by the mid-2010’s Youtube experimented with software that didn’t quite work.
First videos started to disappear because of an overzealous, automated copyright system, some of which were taken offline whilst their legitimate owners filed grievances and fought off theft by random companies that flagged videos as their own only to steal their ad revenue.
Then videos failed to appear in my subscriptions due to an algorithm that eventually caused content creators to loose their ad revenues and notifications were introduced to correct the issue. And instead of supporting these content creators through what I believed to be a transitional phase, they demanded minimum views their algorithm would not allow, causing some creators to just stop uploading videos to the site.
Now many of the creators I subscribe to are virtually inactive, gone or leaving. And my recommendations are full of mainstream media produced videos I am not interested in.
I subscribe to one late show television host, the algorithm thinks I want to see the others, especially when it features the same guests. And it branches out from there pushing videos off my recommendations, mainly from channels on which I haven’t activated notifications..
This can get to be a real problem when videos are demonetized for some reason, resulting in monetized videos being featured in my subscriptions instead, most of which appear to be from mainstream media now.
Now i’m wondering how long videos from the top channels I subscribe to are going to keep showing up, as my attention is constantly diverted to video Youtube wants me to watch. But i’m hoping they will recognize that, like with music television, viewers can move on.
It should be noted that they have just restored comments on some family channels so perhaps they’ll be able to tweak their false copyright flagging and independent content view decimating algorithms in the future, to keep viewers from going elsewhere.
Personally, i’m in for the long haul, having watched Youtube for nearly one and a half decades. And i’m hoping improvements will be made to the system. But we’ve got to wonder what Apple, Spotify and Twitch are planning for the future.
I guess time will tell.
UPDATE: Youtube has taken legal action against Christopher L Brady in the United States District Court (District of Nebraska) in Case No. 19-353 on August 19th, 2019, alledging that this individual had violated the Digital Millenium Copyright Act 17 U.S.C § 512(f) by repetitively attempting “to harass and extort money from YouTube content creators through bogus allegations of copyright infringement”.
Tales From Much Music
From August 31st, 1984 to the late 1990’s, Much Music was truly Canada’s Music Station.
In its heyday this 24 hour television channel featured music videos from both major and independent labels, interviews with both popular and new artists, and live performances from multiple genres. And it introduced Canadians to both domestic and foreign performers and songwriters, causing the relatively new Canadian music industry to flourish and gain international notoriety.
Written by songwriter and former VJ Christopher Ward, “Is This Live ?” chronicles this network’s early history through excerpts of interviews with former Much Music staff members, on air personalities and popular recording artists from that period.
Christopher Ward had been one of the first VJs on Much Music and was a regular host on the channel until the late 80’s, occasionally hosting programs on the channel though-out the early 90’s, so i’d say this book qualifies as being the most definitive account of the stations early history.
As an avid watcher, I had always been curious about some of the finer details that were not included in the newspaper and magazine articles I had read on Much Music and Musique Plus’ history. And I believe this book pretty much covers it all, with a few extras about some of the station’s most popular Canadian music videos.
I highly recommend this book. And yes, it is available in hardcover and in digital format from Amazon.ca, Amazon.com, chapters.indigo.ca and iTunes Canada.
Do you want your MTV ?
Vevo had created a new service for internet connected televisions, mobile devices and tablets called VevoTV, on which music videos are played randomly.
New and classic music videos from multiple genres are featured on this 24 hour service, whose is currently available to American and Canadian Facebook members. And yes, it can also be viewed on your computer.